Writing as a qualified pianist and composer, the writer appears at evolving meanings, values, and ideals—as good because the sounds--that musicians, audiences, and critics hold to and from some of the actions they name jazz. one of the compelling themes he discusses is the "visuality" of track: the connection among functionality demeanor and musical which means. concentrating on pianists invoice Evans and Keith Jarrett, Ake investigates the ways that musicians' postures and attitudes impression perceptions of them as profound and severe artists. In one other essay, Ake examines the musical values and beliefs promulgated by means of university jazz education schemes via a attention of saxophonist John Coltrane. He additionally discusses the concept that of the jazz "standard" within the Nineteen Nineties and the differing experience of culture implied in contemporary recordings by way of Wynton Marsalis and invoice Frisell.
Jazz Cultures exhibits how jazz background has no longer consisted easily of a easily evolving sequence of musical kinds, yet really an array of people and groups enticing with disparate—and mostly conflicting--actions, beliefs, and attitudes.